You probably saw the collision between the Allagrande Mapei Racing and Team Holcim PRB IMOCAs just moments after the start of the Ocean Race Europe. In the way spectacular disasters are, it was as harrowing as it was addictive to watch. The ease at which Holcim’s foil cut through Allagrande’s headsail cloth was sickeningly impressive, and it’s lucky no one was hurt. But it was also proof of how remarkable these boats are.

The crash was a hearty reminder for us all: mistakes happen, even to the most skilled sailors. If you’re human, you make mistakes, especially in sailing. We need high-profile moments like this to change the culture around mistakes and to remind us that errors don’t make you a bad sailor.

There’s a story many new sailors tell themselves: “When I get good enough at sailing, I won’t mess up anymore.” Perfection feels like the goal, but that’s a myth: perfection is unachievable.

The reality is that mistakes are inevitable. Just consider all the factors that go hand-in-hand with sailing: fatigue, stress, appetite for risk, cognitive overload. Then combine it with the context of changeable weather, unpredictable competitors and high stakes decisions. It’s ludicrous to think otherwise.

I believe we all get allocated the same number of mistakes in life. They just scale relative to your environment and abilities.

Beginner sailors make ‘rookie’ mistakes like tying fenders wrong and dropping them overboard or putting up the wrong headsail.

Intermediate sailors make bolder mistakes, like reefing too late or making sloppy nav calls, usually just when they need a reminder to stay humble.

Pros make high speed, high stakes mistakes like aggressive start line tactics or split-second miscalculations. What changes as you progress isn’t the quantity of mistakes you make, it’s the type of mistakes. And while a crash in the Ocean Race might seem bigger than a poorly tied knot, I’ve seen beginners suffer near-panic over small errors. How awful a mistake feels has more to do with you than the slip-up itself.

I hate making mistakes. I hate looking silly or messing up, or worse: being blamed. It probably stems from a fear of rejection. It’s something I have to actively work on.

Mistakes are part of learning and avoiding them means avoiding improving. And the more we fear mistakes the more likely we are to make them. Just put someone under pressure and watch them tie a knot while shouting the oh-so-tempting “hurry up” and you’ll see their hands shake, their brain fog over and voila, it will be tied wrong.

When mistakes happen, what matters most is how you manage them. My mother’s voice still rings in my ears: “I don’t care who started it. Just sort it.” She was talking to my brothers and younger self, but it’s just as relevant at sea. If mistakes are inevitable and we all suffer the same amount, then worrying about blame in the moment is useless. Just look at Kiel: both teams immediately set about repairing their boats to make the next leg. The protest will be resolved later, but the priority was getting back in the race.

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On the day the Kiel crash dominated my social news feed, I was helping friends handle a mini crisis of their own. One crew member’s passport had been packed in the wrong bag and was halfway to Hamburg on a Boeing 777. If we’d wasted time focusing on whose fault it was, we’d have missed the window to get the passport on the return flight. But we let it go, jumped into action, and two generous strangers ferried it back across the Atlantic just in time for departure. Faith in humanity, restored.

So, if you want to help make sailing more welcoming for us all, leave the blame behind. If you, or someone else makes a mistake, focus first on sorting out the problem then, second, reduce the chance of it happening again by analysing, learning and implementing better systems.

So, thank you Holcim PRB, Allagrande Mapei, and the Ocean Race team for giving us a real-life example of elite sailors learning from, not hiding from, their errors.

The goal isn’t to eliminate mistakes; it’s to handle them well. Sure, the crash was expensive, dangerous and costly in the moment. But maybe it will save others from similar fates – not by avoiding mistakes entirely, but by avoiding the catastrophic aftermath that comes when errors are buried instead of addressed.

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Contest Yachts, long celebrated for its deep family values and hands-on craftsmanship, will have a compelling presence at this autumn’s boat shows across Europe and the USA.

The Dutch semi-custom yard will bring four of its most storied models to three key boat shows. At the Cannes Yachting Festival, visitors will find the European Yacht of the Year 2025-winning Contest 63CS, alongside smaller sister and equally intriguing Contest 49CS. In Southampton, the multi-awarded Contest 55CS returns, while across the Atlantic at the Annapolis Sailboat Show, the Contest 50CS makes its US debut while participating in the Cruising World Boat of the Year 2026 programme which is judged during the show.

Cannes Yachting Festival: Contest 63CS & 49CS

From superyacht ideals to family cruising

At this year’s Cannes Yachting Festival (9-14 September), Contest Yachts’ headline model will be the Contest 63CS, which since announced as the winner of the European Yacht of the Year 2025 – luxury category, continues to draw consistent media praise. Designed by judel/vrolijk & co with interiors by superyacht stars Wetzels Brown, the 19-metre luxury cruiser clearly impressed the award judges. Features that particularly stood out included this yacht’s innovative, transformable aft social deck and the pair of mirror-image VIP guest suites forward of the saloon. This is a very unusual layout at this length and one that sets the yacht apart.

The design’s performance and bluewater pedigree have also been widely praised. Reviewers highlight the 63CS’s ease of handling and effortless performance in even the lightest winds, supported by high-spec systems including electric winches and hydraulic furlers. Below decks, the tranquil ambiance is a hallmark of a Contest yacht, while expansive coachroof glazing delivers superb natural light. As one reviewer put it, “Lusso allo stato puro… naviga con una leggerezza che non fa pensare a un peso… pure luxury sailing with lightness that belies its weight”.

Yachting World’s test team also praised the yacht’s “superyacht-level finish” and smartly thought-through ergonomics revealed at the 63CS’s initial Cannes debut last year. This momentum is amplified by the yard’s rich heritage, as Yachting World’s test editor Toby Hodges observed, “Contest Yachts is one of the largest and oldest family-run yards in the world, and conducts the whole build process on site – a yard with a rich past and a promising future.”

Such words underscore that the 63CS isn’t just a design milestone – it is the culmination of 65 years of craftsmanship, innovation, and bluewater leadership.

Complementing the 63CS at Cannes will be the Contest 49CS, the yard’s first model in the 50-foot sector spinning the cabin arrangement to feature twin aft cabins and a forward owner’s suite, making it equally attractive for family voyaging or sailing with friends. A particular strength of the 49CS’s layout is that Contest has retained its hallmark dual-cockpit style with a spacious aft deck, generous lounging area, tender garage, and fold-down bathing platform – all while preserving the twin-helm’s secure position forward, a defining Contest trait.

Built with the same high-spec composite construction and Lloyd’s Register certification as its larger sister, the 49CS delivers exceptional volume and ergonomics for its class, a superb family cruiser with elegant detailing and serious performance credentials.

Southampton International Boat Show: Contest 55CS

Award winning design returns to UK waters

At the Southampton International Boat Show (19–28 September), Contest Yachts will present the Contest 55CS, a bluewater cruiser that has already earned significant accolades – including the European Yacht of the Year, and British Yachting Awards, again in the luxury performance category. At 17 metres, the 55CS offers the same power, performance, and build ethos synonymous with Contest’s evolved lineage.

Designed by judel/vrolijk & co and crafted to exacting Lloyd’s Register standards, the 55CS blends sumptuous styling, exceptional ergonomics, and robust sea-going ability. Inside, light-filled cabins with expansive hull windows and eyeline wraparound glazing are paired with Wetzels Brown’s thoughtful interior styling to deliver effective, practical opulence. The yacht also boasts intuitive control systems and meticulous soundproofing for a markedly quiet onboard experience, even under way. It’s a hallmark of the yard’s refinement: a delight below decks – restful, calm, with only the faint fizz of the passing seas.

Contest also emphasises owner operation as a cornerstone of its design. High-specification soft- and hard-ware run throughout, with powered systems at fingertip reach, retractable bow thrusters, self-furling gear, and automated conveniences all ensuring ease, confidence, and simplified maintenance. It makes for a superyacht-standard package, delivered in a size perfect for capable owner-sailors.

Annapolis Sailboat Show: USA Premiere of the Contest 50CS

A new generation dual centre cockpit contender

In the USA, the flagship arrival will be the Contest 50CS, making her American debut during the Annapolis Sailboat Show, where she’s also an invitee in the prestigious Cruising World Boat of the Year 2026 programme.

This latest-generation 50-footer revitalises the centre-cockpit concept with superyacht-inspired volume, assured performance – both upwind and downwind in all conditions, and with low angles of heel – and a remarkable ease of handling that allows even for confident single-handed sailing.

Judel/vrolijk’s modern hull form pairs with Wetzels Brown’s light-filled interiors, delivering a yacht that is as elegant as it is seaworthy. A generous aft master suite, a welcoming forward guest cabin, and the option of a third cabin reflect the yacht’s balance of luxury and practicality. On deck, twin helms, a clean walkthrough cockpit, protective curved-for-comfort coamings, and power-assisted sail handling all ensure safety and control. Below, carefully engineered composite structures and extensive noise-damping measures create a calm, near-silent motion under way.

Every element is conceived for long-range comfort and bluewater reliability, from the hydraulic transom platform to the neatly integrated stowage solutions throughout. The result is a contemporary cruiser that brings Contest’s hallmark craftsmanship and Lloyd’s Register-certified build quality to a size as manageable for a couple as it is welcoming for family and friends.

A rich past, a promising future

So, the Autumn 2025 Show Season sees Contest Yachts confidently presenting its latest models on the world stage, bringing together a fleet that bridges heritage with forward-looking design. The 63CS demonstrates the yard’s mastery of superyacht finish in a manageable length. The 49CS introduces a fresh family-friendly platform at the heart of the range. The 55CS continues to embody award-winning performance and practicality. And the 50CS, with its US premiere, signals Contest’s increasing presence in North America.

As Yachting World’s Toby Hodges observed when testing the 63CS: “Contest Yachts is a yard with a rich past and a promising future.” This autumn that future is firmly on display with a show line-up that promises to inspire sailors on both sides of the Atlantic.

Given what the IMOCA 60 class was designed for – and the way in which blasting around the world non-stop, alone, on foils in just under 65 days grabbed everyone’s attention last winter with the Vendée Globe – we could be forgiven for thinking that a six-leg, fully crewed, stopping service around Europe is a walk in the park for the world’s top sailors and their 60ft rocket ships.

You might not be surprised to hear they don’t seem to see it like that. After all, what’s the point in talking down an event that many of them have been talking up for months in the boardrooms of potential commercial backers?

I spent a bit of time with the skippers and crews on board their boats and on the dock ahead of the start of The Ocean Race Europe in Kiel, and it’s quite clear they mean it when they say that the 4,500-mile, six-week race would be extremely tough.

Sam Goodchild, who is sailing aboard Biotherm, looked me straight in the eye and said: “It’s not going to be easier than the Vendée Globe that’s for sure.”

Biotherm skipper Paul Meilhat, who finished 5th in the last race around the world, and who sailed Biotherm fully crewed in the 2022/23 Ocean Race told me that, while he had recuperated physically from his recent lap of the planet, he hadn’t fully recovered from the project mentally and that this race around Europe would give him, ‘the kind of slap in the face that I need to get back on track!’

Both of them talked of the intensity of the race and the focus it requires – particularly the complexity of a course that weaves itself around sand banks, rocks and wind farms to exclusion zones, shipping lanes and general traffic. They talked of the complex weather, the tides and, of course, their competitors. The crews may have barely discussed a watch system, given that there’s so little opportunity to operate one if you’re going to stay ahead of the pack.

The longer legs in this race from Kiel, Germany, to Boka Bay in Montenegro, each take around four days, around the time that the rest of us might take to do the Fastnet Race. But in their case, they do five of them back-to-back with just three days at best between each race. Each team is also limited to just five shore crew, which means the race crew will have to muck in at the stopovers if there is (and there will be) anything to fix.

The fact is that even though The Ocean Race Europe doesn’t really bill it like this, the crews see this as a very different and intense race for this class, something akin to the Figaro, or perhaps even a bigger version of the Tour de France à la voile of the early 2000s when it was raced in Mumm 30s.

So, whether you were talking to Yoann Richomme, Brian Thompson, Boris Herrmann, Cole Brauer, Pip Hare or Alan Roura, they all said much the same. They also said they were looking forward to learning from each other.

“When you sail on your own all the time you do tend to stick with your way of doing things,” Goodchild pointed out. “But working with others who have been your arch competitors provides a great opportunity to try out different techniques.”

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And therein lies a hint to something else that’s going on in this class. The ability to experiment, test, develop and refine the IMOCAs by pushing them harder with a full crew than you would alone is providing a form of accelerated learning in some cases.

The last around-the-world Ocean Race ended up attracting a lot of interest from the offshore rock stars as they started to see that some of their arch-rivals were collecting valuable data on the long ocean legs that might be useful in their solo campaigns. For some, that resource remains in their minds and they’re using the wide variety of races now available for this class as a means of learning more.

With 5-10 new boats expected for the next Vendée – several in build and price tags of up to €6m apiece – there’s no shortage of focus on winning the ultimate solo prize.

But the newfound intensity in crewed IMOCA racing can also come at a price, as Holcim PRB and Allagrande Mapei Racing discovered less than a mile off the start line in Kiel when a serious collision forced both of them out of the leg.

Dramatic as it looked, the large hole in the side of Holcim wasn’t the biggest issue, instead it was time. Fixing this kind of damage can be done, but when the round Europe schedule is as relentless as this one, a crisis like this can be a huge blow to a campaign.

No wonder the teams don’t see this race as a walk in the park.

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Yachting World is the world’s leading magazine for bluewater cruisers and offshore sailors. Every month we have inspirational adventures and practical features to help you realise your sailing dreams.

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Note: We may earn a commission when you buy through links on our site, at no extra cost to you. This doesn’t affect our editorial independence.

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Between £50,000 and £100,000 might mark the point at which boat buying gets ‘serious’. And while nobody is claiming that £100,000 is not a lot of money, in today’s yacht market it’s probably not going to buy you a new bluewater yacht.

So is the adage of legendary cruisers Lin and Larry Pardey ‘go small, go cheap, go now’ still feasible? Albeit with ‘cheap’ now being a little less cheap, and fewer adventurous sailors today likely to build their own yacht.

The £100,000 figure, and sticking to it, can be a useful benchmark in itself, forcing a buyer to focus the mind on what they really need for an adventure afloat. Air conditioning? Certainly not. A rig in good order? Certainly.

A lack of complication has other advantages; less to inspect and get ready means leaving sooner. But what is really possible, and what is it smart to look out for when shopping for a cruising yacht while spending under £100,000?

Careful buyers

Broker David Morris deals regularly with yachts around the £100,000 price point. He explains that clients are quite often either those with very little experience, or a lot, but almost all are very aware of price.

“It’s a very price sensitive area of the market. For a 35ft yacht you are going to be looking at around £800 for a survey, plus the haul-out costs; so even just thoroughly checking out a boat is a big amount of money proportional to overall spend.”

A survey is still undertaken by the majority of buyers, but Morris explains that in this sector of the market some don’t bother, particularly when it’s a relatively new yacht. “I recently sold a Dufour 360 for a little over £100,000 and they took the view that they’d take their chances. The yacht was only four years old and lightly used, so it’s true that there is less risk.”

The question of what expensive items will be needed to buy, or costly work to be undertaken immediately or shortly after purchase, is one of the first asked by potential buyers. “A new engine, something that’s often up for consideration, could easily be £10-15,000, so 10-15% of the overall purchase cost.

Other items, like rigging, some sellers will change pre-emptively, knowing that it could well be a big factor in making the yacht attractive for a quicker sale.”

Don’t underestimate

So what do buyers often fail to consider? David Morris suggests that buyers look at the major costs of upgrading a boat that’s bluewater capable, but not really bluewater-equipped.

“At the £100,000 price point, if it’s a yacht that’s never been used for ocean sailing, it probably doesn’t have the kit. The autopilot set-up would probably be my number one consideration. On a small yacht, more specifically, wind vane steering gear would be high on my list of priorities.”

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Hans Dettman is another broker often dealing in the same market price range. “I get a lot of novice buyers, and then occasionally some that really know their stuff and what they want,” he explains.

When it comes to pricing, Dettman has seen some changes in the market recently. “Really well-built boats are fetching a slight premium now simply due to scarcity. Westerly yachts are a good example of that because hulls now are rarely built to that standard. People are appreciating something that was never so fashionable but is fundamentally good.”

Sellers with yachts built by well-established high-end brands, Dettman explains, tend to price highly to begin with. “Owners tend to believe their yacht is worth more than it really is, especially when it’s a desirable bluewater brand, so you can quite often see these on the market for a while.

“There are also sometimes sellers bringing yachts to the market where they’ve plainly let lots of small jobs build up until they are too much for them to tackle. Some spend at this point can be prudent to take the yacht to market and prove investment has been made.

As a rule, sellers tend to get around 10% less than listed price, but it does vary,” he explains.

What to look at on a £100,000 yacht

Things you might not have considered at this price point – advice from broker Hans Dettman:

• Maintenance. A boat that’s completed ocean crossings will suffer more exposure to the elements. The cost of service and replacement of parts will be higher. Buying a proven boat may not necessarily be a good thing, since it will have had much higher stresses in its lifetime.
• The cost of equipping the boat for a crossing. The RYA-recommended kit is extensive and includes a liferaft, EPIRB, flares and many other items. Generally, I find when selling a boat that a lot of this equipment has expired, so check expiry and service dates.
• Is the boat sufficiently equipped electrically? Specifically batteries, and charging equipment such as solar panels, battery chargers, generator, shore power, wind generator. Is the 12V system divided into engine and domestic to avoid accidentally running the engine battery flat?
• Rigging and chainplates. A lot of boats have chainplates hidden behind the interior joinery, making them impossible to check without removing fixed parts of the interior. We had this recently with one of our berth holders who lost their rig as the chainplates were left too long unchecked because they were hard to get to.

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If you enjoyed this….

Yachting World is the world’s leading magazine for bluewater cruisers and offshore sailors. Every month we have inspirational adventures and practical features to help you realise your sailing dreams.

Build your knowledge with a subscription delivered to your door. See our latest offers and save at least 30% off the cover price.

Note: We may earn a commission when you buy through links on our site, at no extra cost to you. This doesn’t affect our editorial independence.

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